Promiscuous Metals (2025)
@ Brown University
Promiscuous Metals is a multimedia noise performance by Jessica Shand and Alice Zhao, with visuals by Beaux Salix. The work explores intimacy with electronic networks through the material presence of metal within instruments, hardware, computers, and discarded technologies.
Combining sound, body, and projected imagery, the performance moves between utopian and dystopian registers, foregrounding metal’s affective residue and alchemical potential. As the performer’s body mutates alongside metallic and plastic debris, the piece interrogates disposability, transformation, and alternative forms of relation that emerge from technological excess.
Music and Sound Design by Jessica Shand
Staging and Costume by Alice Zhao
Visual Projections by Beaux Salix
Performed at Fishman Studio, Granoff Center, Brown University

@ Providence Fringe Festival
Music and Sound Design by Jessica Shand
Staging and Costume by Alice Zhao
Visual Projections by Beaux Salix
Videography by Pheonix Kabli
Performed at PVD Fringe Festival, The Wilbury Group

Lost in Translation (2024)
Lost in Translation, inspired by Alvin Lucier’s I Am Sitting in a Room, uses a multi-layered loop buffer fed into a vocoder, with each subsequent layer vocoding the one before it. Each loop plays for a time, the layers building before gradually degrading in quality and volume until only silence and resonance remain. This sonic decay is mirrored visually by noise particle systems that expand in response to sound and contract in its absence. We extend this abstraction by speaking to each other in our native languages—Cantonese and Korean—playing with homophones. In the process, we lose not only audio quality but also meaning itself through mistranslation.
Audio Programming by Kevin Kwon
Visual Programming by Beaux Salix
Made with Max MSP
Special Thanks to Professor Butch Rovan, TA John Turner, and Celine Huang for video.
Invisible Hand (2024)
Invisible Hand is a multimedia dance exploring how our actions are shaped by unseen digital forces. Onstage, a live dancer’s movements respond to a projected “puppeteer”—a digital presence controlling and influencing below the surface. This work questions agency, control, and free will in a tech-driven world, revealing the power dynamics hidden behind every interaction.
Performed live at Brown University, Grant Recital Hall Created by: Beaux Salix & Shuang Wang
Music Arranged by: Beaux Salix
Visuals by: Beaux Salix & Shuang Wang
Choreography and Performance by: Vicky Chen (Puppeteer) & Nat Mitchell (Puppet)
Lighting by: Kamari Carter
Special Thanks to Todd Winkler and Brown Univeristy
















































